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GLENRASTEL, a field study in resonances

by claudia barton

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1.
VOICES 04:40
I'm hearing voices. What can we do with voices? What corporeal purpose do they have now? We know flesh is useful We can make instruments from it's skin Make needles from bones for stitching And use guts for the strings. What was I saying? Voices are harder to handle, They escape us, Bounce of surfaces, Play par core with the environment, Get caught in the air And dragged else where To places they were never meant to go They join together like Lego. Making constructs that don't even have working windows. Anthropecenic voices cause extreme weather. Even Anthropocenic breath erodes the rocks in these parts And strips the mountain sides of heather. Too many of these voices And pollinators decline To comment, Trees lose free speech And the birds Fall Silent. Voices are used like stepping stones, Which turn into bridges and then walls, With layers of compressed ideas Which can accidentally Even divide Loved Ones.
2.
FARMGATE 03:30
Open the gate.
3.
RUSH 05:11
Make hay
4.
Oh Marie You carry me Over the rocks To the sea. Oh Marie You carry me And my longing To belong. Oh Marie You carry me Over the rocks To the sea. Oh Marie Would you marry me To this Old Furrowed Land? Oh Marie Will you carry me Over the rocks To the sea?
5.
TAR 03:50
Look at the poor old conifer tree, Unable to shed a leaf. Deciduous days With evergreen sorrows, Happenings which beggar belief. Tar (lilted) What a beleaguered human being A foot in both domains Wading between Received and unseen From our haphazard remains. Tar (lilted) I'll build myself a paramour And a suit of armour. From words and dung With grass and song And live happily ever after. Tar (lilted)
6.
PINE 03:17
Do you know Will you sink or swim Float or Fly? Will you keep the fight Or surrender? Do you know Will you be glad to go, Or have regret, Will you remember, Or will you forget?
7.
BEARA 04:33
. . .
8.
TINE 03:33
Tine (an Irish word for 'Fire')
9.
LAMPLIGHTING 03:50
At night the flashlight. Looming, Gloaming, Sweeping, scouring, Shuddering over the vale. The farmer lamplighting a fox. It really is unfair And so common. I knew someone who was lamplit for years And totally unaware. Nobody noticed either, That she was being undermined. They couldn't see a snare of cruel filters, Barbed comments, Restrictions and barriers Wound around her young mind. The weaponry was homespun. Improvised devices. Guilt, flattery, confusion. Simple homemade recipes. It took a long time to tunnel her way out. The perpetrator often doesn't know what they're doing. So they say. All we needed was a word for it. Now I am witness to some lamplighting across the way. Ripping up the thick pelt of night. Should I intervene? I'm afraid. Should I let it continue? Of course I will pray. She might find a way out. Tell me, what would you do?
10.
EDDY 04:20
see: The Song of Amergin, by Amhairghin Glúnmar, Chief Ollam of Ireland.

about

Sonic exploration of a five kilometer ecosystem in the West of Ireland. This album is experimental and has strayed from the path of ballads and torch songs. There is no piano, or any conventional instrumentation except the voice. In place of musicians the collaborations within are made with natural sounds and some talented farming apparatus.

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released February 15, 2022

Flora, Fauna, Farm Machinery, Lakes and Rivers of Glenrastel, Ireland.

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